I’m afraid I didn’t have much time for writing this week. In fact, I’ve been neglecting all my projects including the spider plantation, my complex exercise regime, this month’s online courses, and lurking on Twitter. I’ve been neglecting them all because of Netflix.
Holy mother of God, why did I sign up to Netflix?
Up to now, my home entertainment schedule relied on me downloading films and series from a selection of streaming sites, and this always worked out well. Occasionally, I would have to watch something with subtitles in Arabic or French but that would give me something else to look at if the film itself was dull. Things have changed now that I have Netflix.
I signed up with Netflix so that I could watch season four of The Crown without interruption. In a sense, could we perhaps argue that my new addiction is another tragedy caused by the Palace? I honestly thought I could watch the series and then keep the subscription for a couple of months, to see if there was something else I wanted to enjoy.
I thought I could handle it, I was wrong.
At first, the variety of choice was too great for me, so I only watched films that I’d seen before. However, I quickly started watching new content, and all the recommendations Netflix made for me. I consume Netflix at an alarming rate. It’s as if I’m doing it for a charity fundraiser or as a challenge for the Guinness Book of World Records and I’m probably damaging myself in some way. I binge watch while devouring Tesco Belgian chocolate eclairs. There are currently six cushions, two blankets and a hot water bottle on my sofa. You don’t sit on my sofa; you get into it. Of course there’s no room on the sofa for my partner so he must sit alone, over by the window. Sometimes he tries to communicate with me, but I just growl at him, like a bear and return to my new friends in Netflixland. I curl up on my sofacave while watching hours of new shows, and it’s just a matter of time before I’ll need a neck brace.
One of the things I love about Netflix is watching people nonchalantly interact with one another in a physical dimension. I watched Wine Country the other night but missed most of the plot because I was marvelling at how six women could go off together for the weekend. They could go wine tasting, and bicycle riding, and they could gossip together in a hot tub!
On Netflix, no one wears masks, everyone hugs, and people go to restaurants and bars. It’s just a better place to hang out in than Dublin right now, and I plan to spend more time there in the coming months. Dublin is just a bit quiet, and people are getting irritable, and there isn’t much craic.
One of the many reasons I loved living in Dublin was because of the craic.
Dubliners love to talk. My first memory of Dublin is a conversation. I arrived in Dublin airport one March afternoon, and I got into a taxi and the driver started chatting. I told him I had that just moved from Copenhagen to Dublin, and that I was going to stay with my friend. I had Julia’s address written down on a piece of paper, and I was so excited about the new adventure. In return, he told me about his recent holiday in Copenhagen with his son, and something about the best pubs to visit in Temple Bar. When we pulled up outside Julia’s apartment, he helped me with my luggage and told me that the trip was free: then he said, “welcome to Dublin” and I’ve never looked back.
What’s not to love about Dublin?
It’s a gorgeous city altogether with great pubs, restaurants, theatres, parks, mountains, and the sea. We love the craic agus ceol, and we love to talk. If the average person uses five to seven thousand words per day the average Dubliner can treble that in a morning. We talk waiting for the bus, and getting on the bus, and while moving on the bus, and when we’re just after getting off the bus. We use equal passion and breath when we talk about the weather, one another, the politicians, or our families. Have you ever seen two Dubliners meeting for the first time outside of the city? Within five minutes they are the best of friends, within ten they are family, if you leave them alone for an hour, they will have adopted one another for life.
Thus, telling Dubliners to isolate and keep their distance seems a harsher request than perhaps asking Scandinavians to do it, for example, or the quiet and unassuming Tibetans. Dubliners need noise and an audience for their daily performances, and this simply can’t be done online. Without the story to tell someone, there’s little or no point in doing an activity in the first place.
Why do anything at all, if you can’t tell someone about it?
Zooms are poor substitutes for Dubliners and cannot replicate the intimacy and fun of interactive conversations. Zooms are one-way, performative, monologues where very few people come across as themselves. One of my own problems with Zooms is staying on track. One minute I’m updating people about a project or activity then the next thing I know I’m comparing the performances of Catherine Keener and Cameron Diaz in Being John Malkovich. I end my sequence of talking with the words “in conclusion then, I would argue that it’s very difficult to say whose performance is the best after all,” and everyone nods, as if I made sense.
It’s just harder for we Dubs, than most.
So I’ve decided to embrace the fictional world and watch my characters interact instead of me. It’s only a matter of time before I start speaking English with an American accent or offer my legal counsel to someone wrongly accused of a crime. It’s simply a matter of time before I start re-watching shows I’ve already seen and experiencing déjà vu because of it. It’s also a matter of time before I accuse real life friends of misdemeanours fictional characters committed.
But I don’t care.
I’m enjoying my never-ending supply of content to absorb, and I’m doing it with glee and guilt free. I highly recommend that you do likewise. So snuggle under that duvet and turn on your favourite show and enjoy every single second of your time.
Every single second of your time.








